The word ‘love’ is, in fact, the way we commonly describe the emotional feelings that accompany the imprinting process.

Frequently we imagine that we are behaving in a particular way because such behaviour accords with some abstract, lofty code of moral principles, when in reality all we are doing is obeying a deeply ingrained and long ‘forgotten’ set of purely imitative impressions.

The establishment’s reply is that dissenting students are bent, not on positive innovation, but on negative disruption. Against this, however, it can be argued that these two processes are very closely related and that the former only degenerates into the latter when it finds itself blocked.

In an earlier chapter I mentioned recent research which has shown that the preference for sweet and fruity odours falls off dramatically at puberty, when there is a shift in favour of flowery, oily and musky odours. The juvenile weakness for sweetness can be easily exploited, and frequently is.

We like to think of this as the conquest of bestial weaknesses by the powers of intellectual altruism, as if ethics and morality were some kind of modern invention. If this were really true, it is doubtful if we would be here today to proclaim it. If we did not carry in us the basic biological urge to co-operate with our fellow men, we would never have survived as a species.

A belief in the validity of the acquisition of knowledge and a scientific understanding of the world we live in, the creation and appreciation of aesthetic phenomena in all their many forms, and the broadening and deepening of our range of experiences in day-to-day living, is rapidly becoming the ‘religion’ of our time.

No matter how old we become, we can still call them ‘Holy Mother’ and ‘Father’ and put a child-like trust in them.

Biologically speaking, if something bites you it’s more likely to be female.

In a social environment that is ever crowded and impersonal, it is becoming increasingly important to reconsider the value of close personal relationships before we are driven to ask the forlorn question, ‘Whatever happened to love?’

it has been shown off, concealed, styled, cut, trimmed, extended, straightened, waved, put up, let down, colored and decorated in a thousand ways.